Not again…
AFTER a wonderful morning of OM Chanting and creative visualization with Vera Aichinger (I went so deep, I’m not even conscious of what happened after I started down the path that circled the mountain 🙂 …
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FOLLOWED by painting the core of our essence on a small circular canvas ( I couldn’t paint the mountain and line of red-clad pilgrims, so I went back to the spiral with red dots, which satisfactorily represented the essence of my vision),…
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A 3-PART LECTURE by Kuba Ambrose on conditioning, David Hawkin’s map of consciousness (which brought me right back to my 2 years of working with the late photographyer Courtney Milne), and drawing,…
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AND more fun abstract painting with ink and salt on on wet watercolour paper,…
CAME the drawing part of the day … and the tears. I was able to keep the judgement and frustration at bay during the stream of consciousness drawing time (20 minutes of quickly sketching our first childhood memories on several sheets of paper), but when I looked at my collection and realized that after a month of intensive drawing lessons, my pictures still looked like they would have 10, 20, 30, and even 40 years ago, I was rather disappointed. Still, I accepted the fact that this was a quick exercise and let go of those non-productive feelings.
Our next task was to take one of those images and transfer it to our abstract ink background. I instantly felt the stress when Kuba basically said “Once you get the forms down on paper, then decide where the light is coming from and you can do ink crosshatching for the shadows and this white egg tempura to bring out the highlights.” His demonstration was great, but as expected, I got stuck at the very first step – “put the forms down on paper” (yes, I know, I fulfilled my expectations – I get the theory!). I so wanted to represent a beautiful childhood memory of lying in my crib in my room looking at the sun streaming in and being in the company of angels. My mother told me that I would often wake up singing and sing until they came to get me (I never minded alone time as I believe I knew that I was never really alone…). Instead of a baby in a crib, however, I drew a baby being crushed by a very small cage. I smile at that now – and even did yesterday for a while as I asked for drawing guidance, but by the last hour of class, when my attempts to correct what I had drawn in ink led nowhere but the garbage, the emotions came welling up as I was sharing my frustration with Vera. Luckily, we’re in a very safe and accepting environment and my being off to the side processing my feelings with her didn’t interfere with the class at all. The thing is, I totally get the theory. I know that I need to be patient with myself, love myself, and be gentle with myself through the whole learning process. I even spent part of my lunchtime being the wise and loving one for one of my classmates who had had a rough morning. But still, not being able to draw basic forms after a month of intensive drawing lessons left me totally discouraged. We’re basically finished the drawing part of the curriculum and heading into the underpainting/painting phases – how will I cope? What if I can’t come back after Christmas because of the visa issue and leave here unable to do what I had set out to do when I came here? Again, I know, I know… those are just the fears and frustrations that came welling up.
It’s not that I want to draw realistic human figures (although that would be great, seeing what my classmates can do) – my goal is to understand the realism to then be able to stylize forms that will emerge and reveal themselves in my more intuitive style. First, however, I need to be able to translate what I see, either in front of me or in my imagination onto paper. I receive a lot of visions during my painting process, but have been frustrated for years at not being able to do anything with them. That’s why I’m here! After 2.5 days of being back into the bliss of free abstract expression, however, I realized that I’m still sooooo far from being capable of doing that and I struggled with that realization. (Here’s where I would insert a swear word if that were my style – but since I even thought of that, I guess I’m not far off).
This experience reminded me of when I was about 8 years old and quit ballet class after only 2-3 sessions because they weren’t teaching us to fly. I got bored and frustrated with just changing foot positions on the floor without even moving the rest of my body to the music. It’s certainly not that I’m lazy – anyone who knows me will attest to that – but I’m not very patient, it’s true. I want to be a natural at what I want to do. The fact that I struggle so much with drawing is making me question again if I’m even meant to draw. Self-doubt and feelings of “not being good enough” are creeping back up. If you’ve read my other posts this week, you’ll know we used PEAT to deal with that. This is a good example of when I could have gone back to that energy psychology technique. I did do one of my paraliminal CDs this morning and will go to class early to get my PEAT instruction sheet to go through another few rounds on my own. Indeed! I’ll choose to be grateful for this lesson on self-love and for the opportunity to put PEAT into practice again. That’s certainly much better than continuing to beat myself up for either not being able to draw a scene from my head or for the feelings and tears that materialized from there.
“He who would learn to fly one day must first learn to stand and walk and run and climb and dance; one cannot fly into flying.” Friedrich Nietzsche
As an aside, here are some photos of the 2 churches I visited with a classmate at lunchtime – the Augustinian Church in Josefplatz across from our school and next to the Hofburg Palace (with a sculpture by Antonio Canova – I’ve loved one of his sculptures, “Psyche Revived by Cupid’s Kiss” since I was a child and returned to see it at The Louvres in Paris as a teen and hunted it down again at a temporary exhibition in either Rome or Florence as an adult in 1993 after discovering it had been removed from The Louvres. If you recall my general lack of enthusiasm for museums and ignorance of other artists’ work, this is significant.)
And Saint Michael’s Church across the square from the palace. This one included a large bronze relief (too dark to photograph with my iPhone) of the crucifixion scene with the founding couple of the church kneeling in front of the cross. We learned in class that this was a common practice in paintings too at the time.